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Top 10 Greatest Blaxploitation Movies of the Seventies
Origin of blaxploitation movies The late sixties can be traced back to the black audience’s need for recognition. They were looking for cinema that reflected their daily lives and experiences. Elements of this sub-genre include nudity, violence, funky soul music, and centers around a black hero in a world overrun with drug dealers, sportsmen, hustlers, pimps (and their flashy outfits and cars), call-girls, and bounty hunters. . Well, at number 10 we have…
10) Foxy Brown (Jack Hill, 1974)
liked Coffee This blaxploitation film is modeled after Pam Grier who plays the role of an avenging angel again. This time her quest for revenge focuses on the mob responsible for the death of her lover, an undercover cop betrayed by her brother. A very entertaining picture with some violent action scenes in a simple plot and again despite a very convincing performance turn by the wonderful Pam Grier as Foxy Brown. The soundtrack was recorded and produced by the well-known R&B artist Willie Hutch.
9) Truck Turner (Jonathan Kaplan, 1974)
This complicated straight action flick stars Isaac Hayes as a former football star, now a bounty hunter truck turner who chases a sad pimp through the dangerous streets of LA, when a tragic accident spoils the game and suddenly the roles are reversed. From that moment Truck is involved in a cat and mouse game between Harvard Blue (Yaphet Kotto), a ruthless LA crime king and his hitmen. Some good performances, a nice car chase and an unforgettable climax at the hospital make this an average blokesploitation film. . Director Kaplan also made the drama ‘Coming of Age’ impressive Over the Edge (1979).
8) Superfly (Gordon Parks Jr., 1972)
Drug dealer Youngblood Priest (Ron O’Neill), so-called because he keeps his samples in a crucifix pendant, decides to make one last score before leaving the cocaine business forever. Problems arise when a powerful unknown drug kingpin (his supplier) wants to put him in business. Although a hugely successful film with one of the best soundtracks ever used in a blaxploitation movie by Curtis Mayfield, some critics also unfairly characterized it as a glorification of drug dealing. Two sequels followed, TNT Superfly (1973) former star O’Neill and directed The Return of Superfly (Sig Shore, 1990).
7) Sweet Sweetback’s Badass Song (Melvin Van Peebles, 1971)
Melvin Van Peebles (who starred, directed, wrote, edited, produced and independently produced) is a hustler sweetback whose hedonistic lifestyle takes a U-turn after witnessing the brutal beating of a black activist by two xenophobic white cops. He takes revenge on the two cops and is on the run with the police force on his tail for the rest of the film. Sweet Sweetback’s Baadasssss song It is an obscure and experimental blaxploitation film, with psychedelic and hallucinatory imagery, the use of split screens, and a subversive opening sequence involving Melvin’s son Mario. true original.
6) Black Caesar (Larry Cohen, 1973)
Black Tommy Gibbs (Fred Williamson in his best performance)’s initial intentions to take over white man-controlled Manhattan, to give blacks a better deal, change when he himself begins to act like a “white man’s nigga”. Black Caesar(a.k.a. The Godfather of Harlemwas directed by the talented Larry Cohen (the bone, God told me) is known for his smart location photography which gives his films a rare authenticity. The original ending of the black godfather being robbed and murdered by some black street kids was erased because black audiences wouldn’t accept it. The film’s success led to Cohen immediately making a hilarious sequel On Hell in Harlem. Great music by James Brown.
5) Trouble Man (Evan Dixon, 1972)
Robert Hooks (Fast-moving) as a smooth fixer Mr. T who have many business interests. He gets into trouble when he is hired by two gangs to investigate who is stealing from their gambling operation. Hooks is great as the cool PI in this action packed crime movie. Although the film was a commercial flop at the time, Marvin Gaye’s soundtrack was a huge success.
4) Willy Dynamite (Gilbert Moses, 1974)
One of the most blatantly pimp-dressed blaxploitation films of all time, but also a convincing study of the downfall of the hustler. Roscoe Orman (best known as Gordon Sesame Street) is the successful and ruthless pimp Willie Dynamite (Willie D) who firmly rules over his group of call girls. His downfall begins when a social worker named Cora (the excellent Diana Sands) convinces one of his daughters, who has been disfigured in prison, to give up “life.” Sands died of cancer shortly before the film’s release at the age of 39. An entertaining picture from start to finish.
3) Coffee (Jack Hill, 1973)
A first-rate revenge film starring the queen of blaxploitation style palm gear. Greer plays nurse Coffey who is determined to get revenge on those responsible for her little sister’s heroin addiction. As she delves deeper into this degenerate world, she discovers that those close to her are implicated. It took director Jack Hill and his crew just 18 days to make this violent and devastating picture that launched Pam Grier’s career. Her strong central performance was also one of Tarantino’s main motivations for writing the screenplay Jackie Brown (1997) in which she also starred. Coffee So it was rebuilt in 1981 Lovely but deadly with an all-white cast.
2) The Mac (Michael Campus, 1973)
Max Julian is Goldie, who returns to his neighborhood after a five-year prison sentence to become a calculating and ruthless pimp. His philosophy is that if you want to control a woman’s body, you also have to control her mind (as he does in the amusing planetarium sequence). In his violent battles against his rivals and the two cops who first arrested him, he is accompanied by his trusted friend Richard Pryor (in a memorable role) and his brother (Roger E. Mosley) who try to convince him that he is exploiting. His own people. Perhaps the most influential blaxploitation film and the best ‘pimp’ film of all time. The funny score is by Willie Hutch.
1) 110th Street (Barry Shear, 1972)
Directed by the underrated Barry Shear (excellent Todd Killings) a black police lieutenant (Yaphet Cotto) and his racist colleague (Anthony Quinn, who also co-produced) investigate a robbery of a mafia-owned policy bank by three blacks that leaves seven men dead. So do Italian mafia lieutenant Nick D’Salvio (a wonderful Anthony Franciosa) and his henchmen, who chase the robbers for different reasons. Excellent performance, excellent use of locations and deep features. Bobby Womack’s title song is also used by Tarantino Jackie Brown and Ridley Scott American Gangster.
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